In Jerry Maguire, she played opposite Tom Cruise (who starred in the title role) as Jerry's estranged fiancé Avery Bishop. Preston's final film role was as Victoria Gotti, the wife of notorious mob boss John Gotti, played by Travolta himself. The two initially met on the set of the 1987 film The Experts and married in 1991. She said she had a premonition she would marry the Grease star when she was 16 after seeing the poster for the film.Rodriguez: I was always interested in TV.
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People approached me for TV from very early on after El Mariachi because they were like, “This guy can work fast and cheap.” I would pitch some ideas and they would have some Hispanic themes. A lot of networks are trying to get more Hispanic stuff in there, but they weren’t really ready for it. I didn’t even get so far as the development stage.
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The process seemed cockamamie, it was really different from the movie industry. With TV, you develop something and maybe it goes to script and maybe they even commission a pilot and maybe it even gets shot. Then if it doesn’t get picked for a series, it’s dead. Then you might even make a series, you might get six or 13 episodes, and then it could get canceled if they put it on the wrong night. In the movie business you have a lot more say. #DUSK TILL DAWN DUSK TILL DAWN CAST LIST MOVIE# I was making my own posters and helping decide release dates. The TV process seemed like a lot of work for a lot of “maybes.” I just had so much more control over the process in movies. #DUSK TILL DAWN DUSK TILL DAWN CAST LIST TV# Not control in a bad way, but you could get so much more excited about a project because you knew it was coming out. We can put all our best work into this because we know people will see it. So I just avoided it until this network thing came along - that’s different. In fact we can start now! It’s much more like my independent film days. I can’t remember what specifically it was. It’s just a constant battle knowing the creative ideas are at some point have to pass through the business level and all gotta justify their jobs and they’ll question it.
Things will get watered down for no particular reason. There is just a process in the system that has built itself up. Just like the studio system built themselves up and then independent filmmakers figured out another way to do it. This is very much like an independent renegade network that’s building from ground up. We’re not imitating how other networks are doing it or else we’d be dead. That’s what we’ve always done here in Austin.
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